Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Here are all the paintings of Jusepe de Ribera 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
34266 Allegory of History Jusepe de Ribera Allegory of History mk91 Oil on canvas 113x81
51137 An Old Money-Lender Jusepe de Ribera An Old Money-Lender 1638 Oil on canvas, 76 x 62 cm
32908 Apollo and Marsyas Jusepe de Ribera Apollo and Marsyas mk84 1637.Brussels canvas 202x255cm
51273 Apollo and Marsyas Jusepe de Ribera Apollo and Marsyas 1637 Oil on canvas, 182 x 232 cm
51128 Apollo Flaying Marsyas Jusepe de Ribera Apollo Flaying Marsyas 1637 Oil on canvas, 202 x 255 cm
33627 Archimedes Jusepe de Ribera Archimedes mk86 1630 Oil on canvas 125x81cm Madrid,Museo del Prado
21617 Archimedes (mk08) Jusepe de Ribera Archimedes (mk08) 1630 Oil on canvas 125x81cm Madrid,Museo del Pardo
95709 Bende Magdalena Magdalena penitente Jusepe de Ribera Bende Magdalena Magdalena penitente oil on canvas Dimensions 97 x 66 cm (38.2 x 26 in) cyf
40467 Boy with a Club foot Jusepe de Ribera Boy with a Club foot mk156 1642 Oil on canvas 164x94cm
29170 Christ in the Crown of Thorns Jusepe de Ribera Christ in the Crown of Thorns mk65 Oil on canvas 22 1/2x18"
51129 clubfooted boy Jusepe de Ribera clubfooted boy 1642 Oil on canvas, 164 x 92 cm
32910 Dream of Facob Jusepe de Ribera Dream of Facob mk84 1639 Madrid,Prado,canvas 179x233cm
64718 hans atelje. Jusepe de Ribera hans atelje. sankt bartolomeus. 1644. olja pa duk se
88675 Hieronymus Jusepe de Ribera Hieronymus 1629(1629) Medium Oil on canvas Dimensions 125 x 100 cm cyf
51131 Jacob Receives Isaac-s Blessing Jusepe de Ribera Jacob Receives Isaac-s Blessing 1637 Oil on canvas, 129 x 289 cm
43102 Jacob with the Flock of Laban Jusepe de Ribera Jacob with the Flock of Laban mk170 circa 1638 Oil on canvas 132x118cm
77442 Jakobs Traum Jusepe de Ribera Jakobs Traum Date 1639 Medium Oil on canvas Dimensions ?? cyf
32909 Ladnscape with Shepherds Jusepe de Ribera Ladnscape with Shepherds mk84 1639 Salamanca,Dukes of Alba canvas 128x269cm
67385 magdalena ventura Jusepe de Ribera magdalena ventura se
52603 Magdalena Ventura with Her Husband and Son Jusepe de Ribera Magdalena Ventura with Her Husband and Son 1631 Oil on canvas, 196 x 127 cm
33628 Marryrdom of St Bartholomew Jusepe de Ribera Marryrdom of St Bartholomew mk86 1630 Oil on canvas 234x234cm Madrid,Museo del Prado
53801 Marsyas flas Jusepe de Ribera Marsyas flas mk234 183x234cm
21618 Martyrdom of St Bartholomew (mk08) Jusepe de Ribera Martyrdom of St Bartholomew (mk08) 1630 Oil on canvas 234x234cm Madrid,Museo del Prado
51136 Mary Magdalene in the Desert Jusepe de Ribera Mary Magdalene in the Desert 1640-41 Oil on canvas, 226 x 181 cm
32535 Recreation by our Gallery Jusepe de Ribera Recreation by our Gallery mk79 1640-1647
32539 Recreation by our Gallery Jusepe de Ribera Recreation by our Gallery mk79 1636
69455 Saint Matthew Jusepe de Ribera Saint Matthew oil on canvas painting by Jusepe de Ribera
29223 Saint Onuphrius Jusepe de Ribera Saint Onuphrius mk65 Oil on canvas 1637 51x41"
3560 Saint Paul the Hermit Jusepe de Ribera Saint Paul the Hermit 1640 Museo del Prado, Madrid
87967 San Jeronimo Jusepe de Ribera San Jeronimo 1644(1644) Medium Oil on canvas Dimensions Deutsch: 109 x 90 cm cyf
32906 Sense of Taste Jusepe de Ribera Sense of Taste mk84 ca.1613-16 Hartford,Wadsworth Atheneum. canvas 117x88cm
62305 St Albert Jusepe de Ribera St Albert 230 x 170 mm British Museum, London Throughout his career, Ribera was an avid draftsman in pen and ink and in red chalk, and the chalk drawings in particular evince the approach of an artist trained in an Italian workshop. In this study of St Albert Ribera solves a problem of figure drawing with an ease that is rarely matched by Spanish painters of the period. The technique is Italianate as well: thin, closely spaced lines and soft shadows are used to delineate the body and musculature
33629 St Christopher Jusepe de Ribera St Christopher mk86 1637 Oil on canvas 127x100cm Madrid,Museo del Prado
21620 St Christopher (mk08) Jusepe de Ribera St Christopher (mk08) 1637 Oil on canvas, 127x100cm Madrid,Museo del Prado
20572 St Paul the Hermit (mk05) Jusepe de Ribera St Paul the Hermit (mk05) Canvas 77 1/2 x 60 1/4''(197 x 153 cm)Acquired in 1875
41008 St Sebastian and St Irene Jusepe de Ribera St Sebastian and St Irene mk159 1628 Oil on canvas 156x188cm
52678 St Sebastian Tended by the Holy Women Jusepe de Ribera St Sebastian Tended by the Holy Women 1621 Oil on canvas, 180,3 x 231,6 cm
32907 St.Ferome and the Angel Jusepe de Ribera St.Ferome and the Angel mk84 1626 Naples canvas262x164cm
30035 St.Francis Jusepe de Ribera St.Francis mk67 Oil n canvas 40 9/16x30 5/16in Pitti.
29215 St.Jerome Hears the Trumpet Jusepe de Ribera St.Jerome Hears the Trumpet mk65 Oil on canvas 73x52"
3559 St.Onufri Jusepe de Ribera St.Onufri 1637 The Hermitage, St.Petersburg
29232 St.Sebastian.St.Irene,and St.Lucila Jusepe de Ribera St.Sebastian.St.Irene,and St.Lucila mk65 Oil on canvas 61 1/2x74"
20576 The Adoration of the Shepherds (mk05) Jusepe de Ribera The Adoration of the Shepherds (mk05) 1650 Canvas,94 x 71 1/4''(239 x 181 cm)Given by the king of Naples,Ferdinand IV,to the French government in compensation for the Pictures removed from the Church of San Luigi in Rome by the Neapolitan troops,1802.Musee Napoleon INV
20578 The Beggar Known as the Club-foot (mk05) Jusepe de Ribera The Beggar Known as the Club-foot (mk05) 1642 Canvas,64 1/2 x 37''(164 x 94 cm)The Paper that the child holds solicits alms Bequest of Dr Louis La Caze 1869
33626 The Boy with the Clbfoot Jusepe de Ribera The Boy with the Clbfoot mk86 1642 Oil on canvas 164x92cm Paris,Musee National du Louvre
21615 The Boy with the Clubfoot (mk08) Jusepe de Ribera The Boy with the Clubfoot (mk08) 1642 Oil on canvas 164x92cm Paris,Musee National du Louvre
20573 The Deposition (mk05) Jusepe de Ribera The Deposition (mk05) Canvas,50 x 71 1/2''(127 x 182 cm)Given to the Louvre by Napoleon II in 1868
51132 The Duel of Isabella de Carazzi and Diambra de Pottinella Jusepe de Ribera The Duel of Isabella de Carazzi and Diambra de Pottinella 1636 Oil on canvas, 235 x 212 cm
3561 The Flaying of Marsyas Jusepe de Ribera The Flaying of Marsyas Musee Royaux des Beaux Arts du Belgique, Brussels
55733 The Holy family Jusepe de Ribera The Holy family mk244 253x196cm 1639 Oil on canvas
3562 The Holy Family with Saints Anne Catherine of Alexandria Jusepe de Ribera The Holy Family with Saints Anne Catherine of Alexandria Metropolitan Museum of Art, New York
51135 The Holy Family with St Catherine Jusepe de Ribera The Holy Family with St Catherine 1648 Oil on canvas
30036 The Martydom of St.Bartholomew Jusepe de Ribera The Martydom of St.Bartholomew mk67 Oil on canvas 57 1/16x85in
51138 The Martyrdom of St Andrew Jusepe de Ribera The Martyrdom of St Andrew 1628 Oil on canvas, 209 x 183 cm
32915 Vision fo St.Bruno Jusepe de Ribera Vision fo St.Bruno mk84 1643 Naples 38x27cm
43698 Vision of St Bruno Jusepe de Ribera Vision of St Bruno 1643 Oil on copper, 38 x 27 cm

Jusepe de Ribera
1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.
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